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The methodical issues of the Renaissance vocal polyphony's harmonic analysis
University of Arts, Faculty of Music Arts, Serbia

emailzbozanic@gmail.com
Abstract
The work is based on the musically-theoretical researches of the Renaissance composer's practice and counterpoint textbooks. The problem of the harmonic analysis of this period's composition has been overviewed. The aim is to open certain issues of analytical interpretation of harmony and to set directives for its practical realization. In that context the special attention has been devoted to the ways of the mode, concord and cadence setting out. The critical review on different approaches to this problem has been given in the works of musical theoreticians as well. By determining the harmonic analysis of the strict style music the better mastering of the content in Counterpoint subject will be made possible. The results of the conducted research might be implemented in the contemporary teaching practice. They will enable more successful stylistic exercises' designing and the better understanding of the Renaissance polyphonic masters' musical language.
References
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Hodorkovskaâ, Elena (1988). Renessansnye predstavleniâ o funkciâh modal'nyh ladov v mnogogolosii XVI veka. V: Vâčeslav Karcovnik (redaktor-sostavitel'), Muzykal'naâ kul'tura Srednevekov'â: teoriâ, praktika, tradiciâ (129-148), Leningrad: Leningradskij gosudarstvennyj institut teatra, muzyki i kinematografii imeni N. K. Čerkasova
Holopov, Ûrij (1996). G armoničeskij analiz: Čast' 1. Moskva: Muzyka
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Holopov, Ûrij (2015). Praktičeskie rekomendacii k opredeleniû lada v starinnoj muzyke. V: Ûrij Holopov, O principah kompozicii starinnoj muzyki: Stat'i, materialy (39-84), Moskva: Moskovskaâ konservatoriâ
Lebedev, Sergej (1987). O modal'noj garmonii XIV veka. V: Istoriâ garmoničeskih stilej: zarubežnaâ muzyka doklassičeskogo perioda. Sbornik trudov. Vyp. 92 (5-32), Moskva: G osudarstvennyj muzykal'no-pedagogičeskij institut imeni Gnesinyh
Morley, Thomas (1969). A Plaine and Easie Introduction to Practicall Musicke. Amsterdam, New York: Da Capo Press
Soderlund, Gustave Frederic (1947). Direct Approach to Counterpoint in Sixteenth Century Style. New York: Appleton-Century-Crofts
Trythall, Gilbert (1994). Sixsteenth Century Counterpoint. Madison: WCB Brown & Benchmark
 

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article language: Serbian
document type: Paper
DOI: 10.5937/PFSU19205B
published in Portal: 30/10/2025
Creative Commons License 4.0

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